Heck it d certainly save me a few keystrokes.
Live sound vocal compression.
There is no one size fits all formula to vocal compression.
By bypassing and applying the compressor get the input gain same as without the compressor.
But the truth is it s not that easy.
Sure it s fun to roll off some of the top end on your hall reverb but don t let that distract you from the things that actually need attention.
You can set the attack release to auto or go to 12 o clock on either one.
Many bloggers will tell you what the perfect vocal compression settings are.
There are no magic settings that work 100 of the time.
I wish i could do that too.
Compression your best friend and your worst enemy.
This pedal s primary function is to help a singer control vocal dynamics and tone.
For a vocal starting point set your threshold to 0db or 2db and a ratio of either 1 5 1 or 2 1.
When used correctly compression is a key ingredient for vocals that sound professional modern and radio ready.
The lead vocals should be the center of your attention.
Live sound is largely correcting problems with subtractive eq.
The processor is ideal for use in practices and live performances.
This is a fine way to start with a comp on vocals and will let you actually hear much of whats happening as you dial it in and hear the way the compressor works with the voice.
We would recommend this to a hobbyist singer songwriter musician.
Lead vocals some recording engineers think compression is a must for vocals.
It evens out the often erratic levels that a singer can produce and tames transients that can cause digital distortion.
If the vocal s volume drops down then adjust the makeup gain input.
This tc helicon t1 vocal compression unit is perfect for any singer looking for a singular functioning effects pedal.
When used incorrectly compression can quickly ruin a good vocal recording and make your music sound amateur and over processed.
Compression should be used sparingly.
